The Groove Yard 54: Our Delight

George Klein presents an hour of 1950s & ’60s recordings by Tadd Dameron with Fats Navarro and Allen Eager live from the Royal Roost club in 1948.
 
The John Sinclair Foundation Presents
OUR DELIGHT
THE GROOVE YARD 54
George Klein, WEMU-FM, Ypsilanti, April 8, 1990 [20018]
 
Tadd Dameron with Fats Navarro: Our Delight
Tadd Dameron with Fats Navarro: The Tadd Walk
Tadd Dameron with Fats Navarro: Ebb Pobb
Tadd Dameron with Fats Navarro: Symphonette
Tadd Dameron with Fats Navarro: Lady Be Good
Tadd Dameron with Fats Navarro: Anthropology
Tadd Dameron with Fats Navarro: The Squirrel
Tadd Dameron with Fats Navarro: Dameronia
Tadd Dameron with Fats Navarro: Good Bait (Take 1)
Tadd Dameron with Fats Navarro: Good Bait (Take 2)
Tadd Dameron with John Coltrane: Super Jet
 
A JOINT PRODUCTION
Hosted by George Klein for Radio Free Amsterdam
Produced & recorded by George Klein at WEMU-FM, Ypsilanti
Post-production, editing & annotation by John Sinclair
Executive Producer: Steve Pratt
 
© 1990, 2020 George Klein. Used with permission.
 
 
 

Jazz At Daybreak 54: Back Talk

Leslie Keros isplaying music this morning by Joe Pass, Poncho Sanchez, Pat LaBarbera & Kirk MacDonald, Helen Carr, Joe Magnarell, Lou Donaldson, Helen Sung, Michael O’Neill Quintet with Tony Lindsay, Andrew Hill, and Art Pepper.
 
The John Sinclair Foundation Presents
BACK TALK
JAZZ AT DAYBREAK 54
Leslie Keros, WDCB-FM, Chicago, November 1, 2019 [20017]
 
Joe Pass: When Your Lover Has Gone
Poncho Sanchez: Liberia
Pat LaBarbera & Kirk MacDonald: On a Misty Night
Helen Carr: Down in the Depths of the 90th Floor
Joe Magnarell: Sando Latino
Lou Donaldson: Back Talk
Helen Sung: It Don’t Mean a Thing (If It Ain’t Got That Swing)
Michael O’Neill Quintet with Tony Lindsay: Fragile
Andrew Hill: Subterfuge
Art Pepper: Webb City


A JOINT PRODUCTION
Hosted by Leslie Keros for Radio Free Amsterdam
Produced & recorded by Leslie Keros for WDCB-FM, Chicago
Post-production & editing by John Sinclair
Executive Producer: Steve Pratt
 
© 2020 Leslie Keros. Used with permission.