DAY OFF – Feat. Lord Beefington

A shattered window. 7.5 artists. An epic journey: An omnipresent fuck you between the tympanic membranes. The Fuck You Sound invite all…to help create a new unhinged world, at odds with the stink and stench of the traditional art and music corpse. Bands eat underwater buffalo wings on toast or a vegetable patch bay…. Deviant things, taboo things; Audio intercourse. We implore you to take a day off in 2018. 

The album squirms with remixes by chilly slashers ’Bogus Order’ and jungle don DJ Aries. This is not a release, it is an expulsion.. ‘The Day Off’ was scheduled to be a limited edition DJ friendly deluxe 12” vinyl back pack plus a digital package of the album boasting extra remixes, free podcasts, videos, avatar packs, digital artwork and other goodies. Space weapons. Hair clippers. Dog socks. Flea rights.

Caleb Selah: Former arms and fingers dealer. Formerly a stringed thing virtuoso now a crippled mess of a DJ who can’t stand and is psychedelically deaf in his right ear. You wanna hear him click his toes though. Born in Austin Texas, he can’t remember when. Selah hates genres, cream crackers, squares and most things. He probably hates you.

Lord Beefington, the 12th Marquis of Hackney: Born from hell fire, eats microphone cables and children for breakfast. He is rumoured to be the father of Lord Vader. Enjoys cutting dub-plates with his teeth and preventing violence with smiles. He spits pure lava, stand clear.

MOHAWK – INTERVIEW WITH JOHN SINCLAIR (LONDON)

John Sinclair – Mohawk. The full length documentary….. John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on 24th March 2014 on Iron Man Records. John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together. First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word. The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, and now full time with John Sinclair. These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John. “to take the hair off the sides of the head & leave just a strip along the top, scalping pretense for the baldness of statement building a new music on the bones of the old” — John Sinclair from the title track “Mohawk”

The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering. Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects. Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.