Steve Fly skims the vinyl trenches of his collection for Jazz breaks with a certain swing. Cuts are roasting on rotation and reproduce music by Buddy Rich, David Axelrod, the Upsetters, Dizzy Gillespie, Modern Jazz Group Freiburg, Tyrone Washington, Funkadelic, Billy Cobham, Bobbi Humphrey, The Heliocentrics, Bunk Johnson, Sun Ra & His Solar Arkestra, John Handy III, and Wanda Robinson. Listen for the breaks in the jazz and the jazz in the breaks.
The John Sinclair Foundation Presents JAZZ BREAKS SUCKER FLY BY NIGHT 456 Steve The Fly, Fly Agaric 23 Studio, Amsterdam, March 3, 2015 
Buddy Rich: Three Day Sucker David Axelrod: Urizen Upsetters: Popcorn Dizzy Gilespie: Alligator Modern Jazz Group Freiburg: Big P Tyrone Washington: Submission Funkadelic: One Of Those Funky Things Billy Cobham: Moon Germs Bobbi Humphrey: Jasper Country Man The Heliocentrics: Big Bang Reincarnation Bunk Johnson: Just A Closer Walk With Thee Sun Ra & His Solar Arkestra: Two Tones John Handy III: No Smiles Please Wanda Robinson: A Possibility (Back Home)
A JOINT PRODUCTION Produced by Steve “The Fly” Pratt for Radio Free Amsterdam (#97) Post-production, editing & annotation by John Sinclair Executive Producer: Steve Pratt
John Sinclair – Mohawk. The full length documentary….. John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on 24th March 2014 on Iron Man Records. John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together. First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word. The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.
Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, and now full time with John Sinclair. These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John. “to take the hair off the sides of the head & leave just a strip along the top, scalping pretense for the baldness of statement building a new music on the bones of the old” — John Sinclair from the title track “Mohawk”
The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering. Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects. Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.
Our dear friend Tony Allen was going to turn eighty this year. To celebrate this we had planned to release a new rendition of the recordings we made with him about fifteen years ago. To congratulate him on his birthday, to wish him well for the future and to remember our joyful meetings.
Sadly, fate decided differently. Tony passed away suddenly. The numerous obituaries and personal stories from around the world show how special Tony had been. He was one of the founding fathers of Afro Beat, but his influence reached far beyond that.
To celebrate his contribution to music in general and to acknowledge the importance of our collaboration for our development as a group we feel we still should release this material. This is our tribute to Tony, who was not only a fellow musician, but also a mentor and a real source of inspiration.