Episode 1055 is coming from my hotel room in Paris at the Citadines Bastiile Gare de Lyon following my appearance at the Mike Kelley show at the Musee Bourse de Commerce with a second hour of music and conversation with the great Bob Dylan from his first-ever in-depth radio interview, interspersed with excerpts from his brilliant recordings for Columbia Records in the 1960s and ‘70s.
The John Sinclair Foundation Presents TANGLED UP IN BLUE JOHN SINCLAIR RADIO SHOW 1055 Citadines Bastille Gare de Lyon, Paris, February 17, 2024 [24181]
Yusef Lateef: Happyology George Taylor Morris: Introduction Bob Dylan Conversation Continues Throughout Bob Dylan: It’s Alright Ma, I’m Only Bleeding Bob Dylan: Masters of War Bob Dylan: Most Likely You Go Your Way and I’ll Go Mine Bob Dylan: All Along the Watchtower Bob Dylan: Lay Lady Lay Bob Dylan: Tangled Up in Blue Bob Dylan: Gotta Serve Somebody Bob Dylan: Jokerman Bob Dylan: Knockin’ on Heaven’s Door
A JOINT PRODUCTION Hosted by John Sinclair for Radio Free Amsterdam Produced, edited & assembled by John Sinclair Executive Producer: Steve “Fly” Pratt
John Sinclair – Mohawk. The full length documentary….. John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on 24th March 2014 on Iron Man Records. John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together. First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word. The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.
Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, and now full time with John Sinclair. These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John. “to take the hair off the sides of the head & leave just a strip along the top, scalping pretense for the baldness of statement building a new music on the bones of the old” — John Sinclair from the title track “Mohawk”
The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering. Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects. Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.
